Hip Hop Culture Essay -- Rap Music Commercialization Essays Papers

Hip Hop CultureSince the early to mid 90s, rap has undergone changes that purists would consider degenerating to its burnish. At the root of these changes is what has been called commercial belt. Commercial rap has deteriorated what so many emcees in the 80s tried to build- a culture of music, dancing, creativity, and artistry that would give people not only something to move their head to, exactly excessively an avenue to express themselves and deliver a positive message to their surroundings.What does the term commercial mean? It can deliver on various meanings, but in essence that term is utilize to label artists who engender alienated parts of the hip-hop culture in their work. The High and Mighty, a duo from Philadelphia signed to Rawkus Records, summed up what commercial hip-hop is in their 1999 single release The Meaning. Mr. Eon says theyre tryin to address hip-hop to just plain rappin/let the poppers pop/and the head for the hillsers chime inBut the disenchantme nt with artists who dont appreciate hip-hop as consisting of emceeing, breaking, graffiti art, beat boxing and dj-ing is not new. thermionic valve artists, predominately hip-hop purists, have lashed out at biters and perpetrators for many years. For example, in 1989 3rd Bass released their starting signal degrade album, The Cactus Cee/D. Throughout the album, MC Serch and Prime Minister Pete Nice sc doddery the commercialised booty shakers wish well MC Hammer for corrupting hip-hop, particularly on the track The Gasface they specifically call out Hammer for his antics.Inside the album jacket, Serch sums up hip-hop in 89 There was a duration when nothing was more important than the New York Rap Scene. Its dilluted, but not divided. To hip-hop afficionados, Serchs quote sounds like the equivalent to a Vietnam soldiers letter home. Obviously, the theme saw the possibility of the hip-hop culture being tainted.An early(a) good example of a group combatting the increase in commerci al hip-hop was The Boot Camp Clik, consisting of Buckshot, Helter Skelter, umber Brovaz, OGC, Illa Noyz and The Representativz. The Cliks slogan throughout the duration of their 1997 release Album for the pot was Commercial rap get the gun clap. A descending(prenominal) of the early backpacker days, Buckshot has always been opposed to mainstream artists who sacrfice artistic honor in the lure for more money.The underground hip-hop scene has e... ... office to rock a crowd with sheer lyricism, explaining why you are doper than the other man, and having a Dj who could support you with dope beats were essentials in old school hip-hop and still are in the underground scene.Underground hip-hop is filled with groups such as The Pharcyde, The Roots, Jigmastas, and Jurassic 5 who procedure live instruments to not only enhance their lyrical talents, but also to give audiences a great show. All four of these groups are sacred to preserving hip-hop culture. Emcees battle to prove they a re iller, Djs do the same thing, and breakers, break dancers, poppers, whatever you want to call them, continue the tradition of mixing their dance art form of popping, locking and spinning using the music to suspensor create different techniques.What has been great for the underground scene is its ability to deal out more records now, and that is by and large due to the increase of smaller, independent record labels(see chapter 1). Labels such as Rawkus, Fondle Em, Stones Throw, Goodvibe, ABB Records, and others can compete with majors like Bad Boy and Def Jam now because they are backed by people who have money and want to see hip-hop culture survive.