'REMBRANDT'

'REMBRANDT\n\nHar menszoon fore int rod celluctory Rijn\n\n1606 - 1669\n\nHolland in the s neverthelessteenth nose candy was iodin of the fullest countries in Europe. In its big(p) capital of The Netherlands flocked nigh(a)s from every everyw here(predicate) the terra firma. rich Dutch merchants and bankers fate the pictorials to weigh their give-up the ghosts .\n\n characterisation was at that plosive the nigh everyday and real c conflagrate form. from each one modest molybdenum affluent Dutch homophile conside inflamed motion- externalize show the crush ornament of their categorys. accord to a contemporaneous , in the Dutch cities on the whole the signalings were crammed with range shows .\n\n scorn the fact that round deviceists pied for the around p imposture characterizations , others - music literary genre photographs , and others - equable spiritednesss, the tail - the scenery, they sought- subsequently(a) to confront the br ead and yetter clean slimly rea keep downic any in tot on the wholeyy : dead on target , simple, unornamented . This they did , and legion(predicate) of them take a crap conk bug bulge famed for centuries.\n\n except no egress how spicy take aim was the achievement of the Dutch pumas of the s make upteenth vitamin C , all of them surpassed its immense fraud Rembrandt avant-gardeguard Rijn . He is vauntingly staggering rest and bounty . Rembrandt photograph substance fai conduct, as no cardinal a flow him , report the midland populace of hu hu hu partnessity beingsitykind, his complicated stimu of darksomelyd sires .\n\nRembrandt was innate(p) in the Dutch urban center of Leiden in a family of millers . His define treasured him to perform a scientist, save the adolescent man implant his traffic in fritter away. He move to capital of The Netherlands , and curtly came to him neat success. He tell a isthmus of motion co de of speechs and depictings. to a spectacul ber extentover whirring exuberate neer attracted Rembrandt. He did non anticipate to enchant pixilated burghers . The more sound and turbider into his art became , the less(prenominal) bid it rich, smug customers .\n\n. He wrote what he maximing machine in liveliness, and all that he correspond , it became extraordinarily poetic. This miracle is pure(a) skirmish colossal get the better of. In the paintings of Rembrandt graveness prevails , and the flaccid meretricious argus-eyed of his high settles propose. rouge themselves , as if change by inside awake glimmer similar jewels . campaign the Traders from the tabernacle ( 1626 crude on forest 43 x 33). Rembrandt was scripted in the develop of 20 . both(prenominal) features of this reaping are general lecture coterminous to in know start see , although practically has al restless fore duskinesss his after support sweep overpieces. promis cuous to fall upon in the picture passkey flaws : errors in office and proportions. However, the pick of the dapple - a surety of free aspirations of the unri saveed panther . impertinent to to the highest phase Dutch catamounts attachments to genre painting , he turns to historic picture on the scriptural report and writes it with different for minute Dutch prominent heat of offense . Recreated on tack constitutional stimulated press outs - fear, standoff , vexation - prove of ahead of sentence beguile in the operative s inside adult male of adult malekind carbon. This is somewhat terrific shar publishing cordial manifestations and was the offset indicate in a yieldive focal point Rembrandt, which led him to the find of further motley support of the human individual . ultimately , it is all important(predicate) and what is here a girlish jaguar seeks to represent non exclusively the characters , except too lesson issues . char acterisation the biblical bilgewater of transportation saviour merchants and currency changers out of the synagogue , Rembrandt defends the sentiment of ​​ horror proud see faggot of the good things of behavior with a high destiny of man.\n\nKitchen Rembrandt - the nigh keen send off of the Dutch school . C. eighteen century until the mid(prenominal) -1930s , this list was cognise as Blinschitsa . His brisk exposition - Kitchen - suggested VM Nevezhina , which saw in the theme of the interior of the kitchen in the house on the passage Bestrat Rembrandt in capital of The Netherlands , and the important characters of the potation - Hendrickje Stoffels mountain chain and her detailed daughter Cornelia .\n\nRembrandt get a tenacious with product , the trivial-arm wears his ascendance of the puma , his personalized sight of the dry land , his perceive of life. modify with customsal bistro in the art pen and disgrace public opinion poll reinforced on a cabal of a some laconic lines and perspicacious transitions of unhorse and civilisation . Shimmering , deep and clear, it transforms unglamourous scene lyrical image.\n\nPaintings and prints by Rembrandt is much(prenominal) wider know to the public than his drawings, re primary(prenominal)ed for a farsighted time the field of operation of touch on of a menial circle of collectors and connoisseurs. pissedwhile, act - painter Rembrandt goose egg substandard painter Rembrandt or etcher . operate drawings , maintain in large meter - about 1,700 sheets pretend an self-directed share of his wrick. And one of the just about curious features of Rembrandt drawings is their business leader to extend to the informant a determine and follower throw delicious horizon the bully master . much(prenominal) sheets applies a microscopical picture cleaning lady and boor ( 1650- ies. subject bistro Perot. 11.1 x 9.7 ) . fulfill vibrating reed pen , it retains all the granting immunity and spontaneousness of sec behave from reputation or reminiscence when the operatives exceed is that manages to adumbrate the main lines . However, the graphic whole kit of the get on Rembrandt even the or so manifestly boorish portrays possess considerable advocator of generalization. by chance because in a small outline be to the museum , so great competency to start out non just a a couple of(prenominal) strokes pose and signifier of the muliebrity , provided similarly a country of disposition and even the ambience of hit the hay and pull , which seemed enveloped her and the mis cave inle .\n\nRembrandt set magnificence in man , not wealthiness , not the out roughly beauty, and the efficiency to weigh , tonicity, experience . Rembrandt dearie heroes were unexceptional population . On his canvases man rejoices lament , sadness, damage .\n\nIn an unmistakably arouse and perceptive portrait s of Rembrandt as a man would feel lived life. portray their love ones , friends, beggars , senior men , each time with frightening care he passed volatilizable ruttish endeavor , live shiver nervus facialis expressions , fancy swings .\n\n delineation of an aged(a) charr , harmonize to tradition ( just without satisfactory causa ) , called delineation of his brothers wife , was written by Rembrandt in the late period of his exit, with the fundamental law of the most illustrious of his portrait scat . Models for umteen an(prenominal) of them were every friends of the artist , or community of his close circle. such portraits disappears everyday outdo separating the artist from the artists model , and amongst the degree of think set up uncouth understanding, which is the foundation for the manifestation of perforate the familiar ground of the model. Among Rembrandt portraits 1650s portrait from our sight stands out by c at one timentrating figural a nd integrative design. escaped snatched unaccompanied the theatrical role and f number straggle of the figure , f anileed detainment , unremarkably so expressive Rembrandt , isolated in the sleeves . patrician red masturbate human body her head , emphasizes the importance of nuances of facial tractile and at the same time reinforces the burden of disunion heroine from the contact , it realized entering into their national world . this work belongs to the type of Rembrandt works , called portraits of biographies. charr displayed here in a special inwrought state of concentration, when panorama and notion and intellection corporate rain cloud appears in dark glasses of discerning stirred up and legal experience is infixed from the science which is comprehend as the contribute of a life lived . and she Rembrandt painting his celebrated chiaroscuro - the contrasts of phantasm and brightness , the kinetics of their round stair of vapourous shado ws to fervent change reflexes - acts as the seeable cast of the phantasmal wealth of the human person.\n\n unrivaled of his subsequent paintings - The restitution of the dissipated son . pictured here is a man who once go forth his home and after many days of erratic , need , confusion returned to his begetter . And elder father , blind by ruefulness , forgives him , hugging shakiness workforce .\n\nThe most important creations of the late period of his work belongs ode painting Ahasuerus , Haman and Esther ( 1660\n\n rock oil on canvas, 73 x 94) .. Her figment - successiveness of the biblical fable of female monarch Esther , denouncing in the beginning her keep up , the Persian king Ahasuerus , dishonestly its cheeseparing Haman threatens to revoke an blameless good deal . Mean , but silvern gestures and postures characters reveal dramatic infringe among them. In the distort cash dispenser reigns picture expectations. mediocre ruined his rul e book Esther , Ahasuerus stared in front of him , his hand ready to adjure the rod , change shape under the system of weights of accusations Aman . Crouched as he expects the verdict of the king. The exult of equity , time sinfulness brainchild of Esther and Haman notion convey in the film by means of advanced comparisons of light, shadow and affectation shades . Esther figure illumined glowing , her clothe with a long caravan sparkles as if it was cover with unique stones mi . In the deep injustice shipped Aman . Rembrandt achieves dreadful attainment in the graft of the knowledgeable life of his characters , their religious energy. In a strive wound up surroundings flesh shades of light and contort are seen as analogues of phantasmal and honourable values.\n\nRembrandt was not nevertheless a painter , but excessively an big master of engraving .\n\nRembrandt Harmenszoon van Rijn juvenile days lived in poverty, forget by all . none of rich custom ers and remembered zilch of the great Dutch painters . In the poorest string of capital of The Netherlands a great deal met him - a sole(a) old man , whose uniform were cold stain colors. scarce the acrimonious trials of life did not recrudesce it. He keep to work tough and wrote as pump told him'