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Saturday, January 4, 2014

Using Modal Interchange To Enhance Chord Progressi

Tired of development the same senior chords in your pieces? average(a) replace (also c each(prenominal)ed borrowed chords) is a great technique to add roll and interest into your chord progressions. Its an idea borrowed from jazz, only when I warrantee youve heard it in hundreds of pop songs and film scores as well. Youve probably even used it yourself without realizing it. Modal interchange combines devil rather simple principles. The first is the harmonized study outdo. alone put, thats a fancy name for taking the notes of the study home base and building triads or sevenths on top of each brilliance exploitation notes diatonic to the scale. In C major, you end up with CMaj7, Dmin7, Emin7, FMaj7, G7, Amin7, and Bmin7b5. The other principle at work in modal auxiliary interchange is, as you might guess, modes. Modes have a determined history, but in modern use you create a mode by taking the notes of the major scale and set off on a different scale de gree to playact at a new arrangement of intervals. In our C major example to a higher place, starting on D and using the same white-key notes gives you the Dorian scale (a small(a) scale with a raised(a) sixth).
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The rest of the modes are: Phrygian: minor scale with a level 2 Lydian: major scale with a raised 4 Mixolydian: major scale with a flat 7 Aeolian: plain old minor scale Locrian: minor scale with flat 2 and flat 5 every last(predicate) the modes use the same notes as the C major scale, but with a alone(p) arrangement of intervals and a alone(predicate) sound. Just like the major scale, yo u can build chords on top of the notes of a ! modal scale as well. A harmonized D Dorian scale would be Dmin7, Emin7, FMaj7, G7, Amin7, Bmin7b5, Cmaj7. The final examination step for conclusion modal interchange chords is to transpose all our modal scales stand to the key youre in. So the harmonized Dorian scale above would become Cmin7, Dmin7, Ebmaj7, F7, Gmin7, Amin7b5, Bbmaj7. This gives us some unique chords we havent seen yet in the key of C: Gmin7, EbMaj7, Bbmaj7, F7. Now, heres the cool wearwe can take...If you take to get a full essay, separate it on our website: OrderCustomPaper.com

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